
volume 5 | fall 2015
in this issue.
‘Tête-a-tête avec Antonin Artaud:’ On the Communicability of the Void
Elizabeth Caldart Occidental College ‘13
The Deconstruction of Simplified Sovereignty in the Sonnets of Sherman Alexie’s What I’ve Stolen, What I’ve Earned
Joseph Ferber University of Dayton
A Reflection of Binary Disruption in the Photographs of Ana Mendieta
Gabriela Rosenada Occidental College ‘17
The Socio-Spatial Dynamics and Roots of America’s Modern Black Creative Genius
Ethan Blake Brown University
No Selfhood…No Freedom: Martin Heidegger’s Radical Definition of ‘Transcendence’ in 20th Century Europe
Emily Long Appalachian State University